WEBSITES FOR TOURISM BUSINESSES

Getting people to your site is the hard part. Losing them is the expensive one.

Guesthouses, experience operators, travel brands. Your website is the last thing someone looks at before booking you — or the place next door.

I haven't studied your industry: I've been your customer for over twenty years. I've closed your website on my phone, on a bad signal, more times than I can count.

Tell me about your businessA one-minute form. If it's a fit, we talk for 20 minutes. No commitment, no fluff.
ONE PAYMENT · NO SUBSCRIPTIONSTHE SITE IS YOURSYOU EDIT IT

YOUR SITE DECIDES AND YOU NEVER FIND OUT

Your business is good. Your website makes it look doubtful.

And the worst part is you never find out, because the person who leaves doesn't write to tell you. I've been that person. This is what makes me close the tab:

It's slow

I'm out on the street with two bars of signal. If it doesn't load in three seconds I go back to Booking and book there — and you pay the commission.

I can't find what I need

Where exactly you are, how to get there, whether there are stairs with a backpack, whether you're open in November. Ten seconds looking for it and I'm gone.

I don't trust it

Four generic photos, a form I'm not sure reaches anyone, and no sign there's a real person behind it. With my money on the line, doubt wins.

It breaks on mobile

Which is where everyone has been booking for years.

You're not a designer or a developer, and you shouldn't have to be. Your time goes into hosting people, not fighting a template.

NOBODY WRITES TO TELL YOU THEY LEFT.

NOT DESIGN. REMOVING REASONS TO LEAVE

I'm not selling you a pretty website. I'm removing the reasons people leave.

No recycled templates. A multi-page site — home, what you offer, who you are, how to get there, contact — designed from the phone of someone deciding right now whether to message you or the next one.

And what really holds you back isn't the design

It's ending up with a site you can't touch, built by someone you have to email — and pay — every time a price changes. That fear is correct: it happens all the time. Which is why the first thing we agree is how you'll edit it yourself.

How I hand over

Ownership, not renting.

He got his domain, his code, his deployment, and his keys. All in his name and checked one by one. Absolute control over his technological platform. That's what you're buying.

See the Límites Rotos case →

It isn't tourism: it's an editorial project. It shows the craft and the handover, not the industry — the three businesses on the home page carry that.

The Límites Rotos site on a phone: a dark cover with the headline «Camino a oscuras con una pequeña linterna».

WHAT I HAVE AND WHAT I DON'T

I could show you a padded portfolio. I'd rather show you the real one.

This starts now. This very site is built with the system and standard I'd apply to yours. What I don't have yet is a long portfolio of cases in your industry.

So the first three come in at case-study pricing: you pay less than it will cost later, and in exchange I get to tell your story and show the results.

Once those three are done, this section disappears and the price is different.

I could say yes to everything. We'd both lose.

Yes, if you run

A guesthouse, an experience or activity operator, or a brand that sells to people who travel — and you need whoever finds you to message you directly.

No, if you need

A shop with hundreds of products, or custom software. For payments and bookings I connect what you already use — I don't build the thing that takes the money. And not if you're after pixel-perfection and want to micro-manage every comma: I build for what gets you messaged, not for taste.

A QUICK NO BEATS AN EXPENSIVE YES FOR BOTH OF US.

THE REAL COST OF EACH OPTION

If you don't compare it now, you'll compare it when the bill arrives.

The usual

Noma Kairo

What you pay

The usual: €1,000–1,500 at an agency — or a fee every month, forever.

Noma Kairo: One-off payment

Who owns the site

The usual: The platform, or the agency until you pay the ransom

Noma Kairo: You do, with the keys

Who edits it later

The usual: You, fighting the builder — or a ticket and a wait

Noma Kairo: You, or me if you prefer

Who understands your industry

The usual: Nobody, or whichever sales rep you get

Noma Kairo: Three tourism businesses, from the inside

HOW THIS GOES

You delegate, I execute. No filler meetings.

  1. 01

    Tell me about your business

    A one-minute form: what you do, where, and what you'd like to happen when someone lands on your site.

  2. 02

    We talk for 20 minutes

    I tell you whether I can help and how. If you're not a fit, I say so there and neither of us wastes more time.

  3. 03

    I build

    Structure, words and design. I don't chase you with twenty questions: I work from what you already told me.

  4. 04

    Handover and keys

    I show you, we adjust live, and I hand you the control. All in your name, checked one by one.

IT STARTS WITH ONE MINUTE

People visited your site this month. How many never wrote to you?

You don't know. That's exactly the problem.

One minute of form. If it's a fit, twenty minutes on a call.

BEFORE YOU DECIDE, LET'S CLEAR THIS UP

You already know the easy questions. These are the other ones.

Does this get me off Booking?

No, and anyone telling you it does is selling smoke. Booking brings you people who didn't know you existed, and a website doesn't replace that. What it does recover is the person who saw you there and then searched your name: that one was already yours, and you pay commission on them anyway.

How much does it cost?

It depends on what you need, and I'd rather tell you with your case in front of me. What I can tell you now: one payment, no monthly fees, no maintenance charges.

I have no logo and no good photos.

The logo is solved with clean type and your name: it looks elegant and reads as serious. Photos are another matter — they're half the booking decision, so we talk about them on the call. Sometimes reordering the ones you have is enough.

I already have a site, but it's old. Does that work?

Yes, and it's usually the best case: you already know what's failing and what it's cost you.

Why should I trust you over an agency?

An agency knows the industry from the inside. I know it from the other side: I've been the customer who left. That's exactly what decides whether people write to you.